Longtime (and now thirtysomething) couple Burt and Verona are going to have a baby. The pregnancy progresses smoothly, but six months in, the pair is put off and put out by the cavalierly delivered news from Burt’s parents Jerry and Gloria that the eccentric elder Farlanders are moving out of Colorado – thereby eliminating the expectant couple’s main reason for living there. So, where, and among whom of those closest to them, might Burt and Verona best put down roots to raise their impending bundle of joy? The couple embarks on an ambitious itinerary to visit friends and family, and to evaluate cities. Starring John Krasinski, Maya Rudolph, Jeff Daniels, Maggie Gyllenhaal, Allison Janney, Chris Messina, Catherine O’Hara, and Paul Schneider

In "Food, Inc.," filmmaker Robert Kenner lifts the veil on our nation's food industry, exposing the highly mechanized underbelly that's been hidden from the American consumer with the consent of our government's regulatory agencies, USDA and FDA. Our nation's food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the livelihood of the American farmer, the safety of workers and our own environment. We have bigger-breasted chickens, the perfect pork chop, insecticide-resistant soybean seeds, even tomatoes that won't go bad, but we also have new strains of e coli--the harmful bacteria that cause illness for an estimated 73,000 Americans annually. We are riddled with widespread obesity, particularly among children, and an epidemic level of diabetes among adults Featuring interviews with such experts as Eric Schlosser (Fast Food Nation), Michael Pollan (The Omnivore's Dilemma) along with forward thinking social entrepreneurs like Stonyfield Farms' Gary Hirschberg and Polyface Farms' Joe Salatin, "Food, Inc." reveals surprising--and often shocking truths--about what we eat, how it's produced, who we have become as a nation and where we are going from here.

It is the near future. Astronaut Sam Bell is living on the far side of the moon, completing a three year contract with Lunar Industries to mine Earth’s primary source of energy, Helium-3. It is a lonely job, made harder by a broken satellite that allows no live communications home. Taped messages are all Sam can send and receive. Thankfully, his time on the moon is nearly over, and Sam will be reunited with his wife, Tess, and their three-year-old daughter, Eve, in only a few short weeks. But, Sam’s health starts to deteriorate. Painful headaches, hallucinations and a lack of focus lead to an almost fatal accident on a routine drive on the moon in a lunar rover. While recuperating back at the base (with no memory of how he got there), Sam meets a younger, angrier version of himself, who claims to be there to fulfill the same three year contract Sam started all those years ago. Confined with what appears to be a clone of his earlier self, and with a “support crew” on its way to help put the base back into productive order, Sam is fighting the clock to discover what’s going on and where he fits into company plans.

Miguel Santos, a.k.a Azucar, a Dominican pitcher from San Pedro de Macoris, struggles to make it to the big leagues and pull himself and his family out of poverty. Playing professionally at the Kansas City Knights baseball academy, Miguel finally gets his break at age 19 when he advances to the United States' minor league system. Miguel travels from his tight knit community in the Dominican Republic to a small town in Iowa, corn country, where he and a couple other Latin American teammates are the only Spanish-speaking people in the vicinity. As Miguel struggles with the new language and culture, despite the welcoming efforts of his host family, he is faced with an isolation he never before experienced. When his play on the mound falters, he begins examining more closely the world around him and his place within it, and ultimately questions the single-mindedness of his life's ambition.

Michael Caine shines in this warm and wonderful new feature. Christmas 1987 marks the one-year anniversary of Lark Hall’s opening for business as an old age home in an English seaside town. But ten-year-old Edward isn’t much in the mood to celebrate. He has had to give up his room; and his Mum and Dad don’t have as much time for him as they used to, overwhelmed as they are with the day-to-day management of the home and the struggle to stave off financial ruin. On the other hand, living in an old folks’ home offers a curious, clever child like Edward the chance to explore what, exactly, comes after death. And went a retired magician moves into the home, Edward shows him to believe in magic again