Friday April 25
• 5pm and 7:30pm
Saturday April 26
• 5pm and 7:30pm
Sunday April 27
• 2pm and 4:30pm

The teasingly entwined ambiguities of love and death continue to fascinate Alain Guiraudie (Stranger by the Lake), who returns with a sharp, sinister, yet slyly funny thriller. Set in an autumnal, woodsy village in his native region of Occitanie, his latest follows the meandering exploits of Jérémie (Félix Kysyl), an out-of-work baker who has drifted back to his hometown after the death of his beloved former boss, a bakery owner. Staying long after the funeral, the seemingly benign Jérémie begins to casually insinuate himself into his mentor’s family, including his kind-hearted widow (Catherine Frot) and venomously angry son (Jean-Baptiste Durand), while making an increasingly surprising—and ultimately beneficial—friendship with an oddly cheerful local priest (Jacques Develay). In Guiraudie’s quietly carnal world, violence and eroticism explode with little anticipation, and criminal behavior can seem like a natural extension of physical desire. The French director is at the top of his game in Misericordia, again upending all genre expectations.

Sunday May 4
• 7pm

ENCORE SCREENING! When a group of students at Columbia University in New York launch a movement protesting the war in Gaza, they spark a nationwide uprising in solidarity with the people of Gaza. Encampments spring up at hundreds of campuses as students object to their own university’s investment in the US and Israeli arms industry. Featuring detained student activist Mahmoud Khalil, THE ENCAMPMENTS takes viewers inside America’s student uprising with incredible intimacy and urgency. Professors, whistleblowers, and student activists shed light on a moment that captivated the nation’s attention and continues to make headlines today with the escalating situation involving Mahmoud Khalil, currently detained by DHS and held in ICE custody without charges and facing deportation for his views, as well as Columbia's recent crackdown on student activism due to its federal funding being withheld by the Trump administration. A must see film.