In tribute to Toni Morrison (February 18, 1931 - August 5, 2019) we are proud to present a special return screening of the wonderful documentary TONI MORRISON: THE PIECES I AM
TONI MORRISON: THE PIECES I AM offers an artful and intimate meditation on the life and works of the acclaimed novelist. From her childhood in the steel town of Lorain, Ohio to ‘70s-era book tours with Muhammad Ali, from the front lines with Angela Davis to her own riverfront writing room, Toni Morrison leads an assembly of her peers, critics and colleagues on an exploration of race, America, history and the human condition as seen through the prism of her own literature. Woven together with a rich collection of art, history, literature and personality, the film includes discussions about her many critically acclaimed works, including novels “The Bluest Eye,” “Sula” and “Song of Solomon,” her role as an editor of iconic African-American literature and her time teaching at Princeton University.
TONI MORRISON: THE PIECES I AM honors its acclaimed subject with a comprehensive, illuminating, and fittingly profound overview of her life and work. When it's over, you feel like a beloved friend has left the room.
THE NIGHTINGALE is a meditation on the horrors of colonization, the consequences of violence and the price of seeking vengeance. Set during the colonization of Australia in 1825, the film follows Clare (AISLING FRANCIOSI), a 21-year-old Irish convict. Having served her 7-year sentence, she is desperate to be free of her abusive master, Lieutenant Hawkins (SAM CLAFLIN) who refuses to release her from his charge. Clare's husband Aidan (MICHAEL SHEASBY) retaliates and she becomes the victim of a harrowing crime at the hands of the lieutenant and his cronies. When British authorities fail to deliver justice, Clare decides to pursue Hawkins, who leaves his post suddenly to secure a captaincy up north. Unable to find compatriots for her journey, she is forced to enlist the help of a young Aboriginal tracker Billy (BAYKALI GANAMBARR) who grudgingly takes her through the rugged wilderness to track down Hawkins. The terrain and the prevailing hostilities are frightening, as fighting between the original inhabitants of the land and its colonizers plays out in what is now known as "The Black War." Clare and Billy are hostile towards each other from the outset, both suffering their own traumas and mutual distrust, but as their journey leads them deeper into the wilderness, they must learn to find empathy for one another, while weighing the true cost of revenge.
After he’s attacked on the street at night by a roving motorcycle gang, timid bookkeeper Casey (Jesse Eisenberg) joins a neighborhood karate studio to learn how to protect himself. Under the watchful eye of a charismatic instructor, Sensei (Alessandro Nivola), and hardcore brown belt Anna (Imogen Poots), Casey gains a newfound sense of confidence for the first time in his life. But when he attends Sensei’s mysterious night classes, he discovers a sinister world of fraternity, brutality and hyper-masculinity, presenting a journey that places him squarely in the sights of his enigmatic new mentor. Audacious and offbeat, The Art of Self-Defense is an original dark comedy that takes toxic masculinity to absurd extremes.
As if driven by an inescapable force, Isabel (Michelle Williams) has devoted her life to running an orphanage in a Calcutta slum. With funds running dry, a potential donor appears, requiring Isabelle to travel from India to New York. The city she deliberately hasn't returned to in over two decades. Once in New York, Isabel meets the orphanage's possible benefactor, Theresa Young (Julianne Moore), a multi-millionaire media mogul accustomed to getting what she wants. From the glittering skyscraper where she runs her successful business, to the glorious Oyster Bay estate, where she lives happily with her artist husband, Oscar Carlson (Billy Crudup), 21-year-old daughter, Grace (Abby Quinn), and eight-year-old twins, Theo and Otto, Theresa's life couldn't appear to be more perfect and different from Isabel’s. But appearances are only skin deep and the two women have more in common than meets the eye. While Isabel thinks she'll immediately be returning to her beloved orphanage, Theresa has other plans, insisting Isabel attend Grace's wedding at the family's estate. The joyful event becomes a catalyst for a revelation that upends the lives of both women.