The Pageant Theatre

ROSE OF NEVADA

Mark Jenkin

  • 114 minutes
  • 2026
  • English
  • JULY 31 - AUGUST 2

    Three decades ago, the Rose of Nevada vanished at sea, along with its crew. Now, it has returned. In a remote fishing village, its reappearance is embraced as an auspicious sign, with the local citizens convinced the luck of their economically devastated community may turn, if only the ship sails again. Joining the crew is Nick (George MacKay), desperate to provide for his young family, and Liam (Callum Turner), a mysterious drifter eager to escape his past. After a successful voyage, they return to harbor, only to find that nothing is as they remember it. Shooting on a 16mm Bolex camera and constructing all the sound in post, Mark Jenkin writes, directs, edits and scores a haunting and hallucinatory time-travel mystery that further solidifies him as one of the most distinct, singular artists working in film today. With ROSE OF NEVADA Jenkin conducts a cinematic séance, conjuring a portal into another world that forces us to confront the past and our relationship to it.

    FRIDAY, JULY 31 --- 7:30pm

    SATURDAY, AUGUST 1 --- 4:45pm and 7:30pm.

    SUNDAY AUGUST 2 --- 4:45pm

    No ads - films begin at posted showtimes

PINK FLAMINGOS

John Waters

  • 93 minutes
  • English
  • AUGUST 7 - 8

    John Waters made bad taste perversely transcendent with the forever shocking counterculture sensation PINK FLAMINGOS, his most infamous and daring cinematic transgression. Outré diva Divine is iconic as the wanted criminal hiding out with her family of degenerates in a trailer outside Baltimore while reveling in her tabloid notoriety as the “Filthiest Person Alive.” When a pair of sociopaths (Mink Stole and David Lochary) with a habit of kidnapping women in order to impregnate them attempt to challenge her title, Divine resolves to show them and the world the true meaning of the word “filth.” Incest, cannibalism, shrimping, and film history’s most legendary gross-out ending—Waters and his merry band of Dreamlanders leave no taboo unsmashed in this gleefully subversive ode to outsiderhood, in which camp spectacle and pitch-black satire are wielded in an all-out assault on respectability.

    FRIDAY, AUGUST 7 --- 7:30pm

    SATURDAY, AUGUST 8 --- 8pm

    No ads - films begin at posted showtimes

MALTESE FALCON

John Huston

  • 100 minutes
  • English
  • AUGUST 8 - 9

    THE MALTESE FALCON is more than a film—it’s a turning point. Released in 1941, it marked the debut of John Huston as a director, redefined the Hollywood detective genre, and helped solidify Humphrey Bogart as the ultimate hard-boiled antihero. Detective Sam Spade (Bogart) gets more than he bargained for when he takes a case brought to him by a beautiful but secretive woman (Mary Astor). Trouble follows as Sam becomes entangled in a dangerous web of crime and intrigue. With its shadowy aesthetics, morally ambiguous characters, and serpentine plot, it laid the foundation for what would become known as film noir. Adapted from Dashiell Hammett’s gritty 1930 novel, THE MALTESE FALCON is a masterclass in dialogue, pacing, and atmosphere—one of those rare films where nearly every scene, every line, every look, is doing work.

    SATURDAY, AUGUST 8 --- 5:30pm

    SUNDAY, AUGUST 9 --- 2pm

    No ads - films begin at posted showtimes

THE WARRIORS

Walter Hill

  • 90 minutes
  • 1979
  • English
  • AUGUST 14 - 15

    Walter Hill’s THE WARRIORS is a slam-bang, visually kinetic action movie that mixes a heightened comic book sensibility with a timeless tale from ancient Greece and sets them loose in the streets of modern America. In 1979 New York the gangs outnumber the cops by 5-1. Together, they could rule the city. Gang-leader Cyrus has a dream to do just that and calls a summit. The gangs of New York gather in their thousands, Cyrus takes the stage. From somewhere in the crowd a shot rings out and Cyrus falls down dead. In the chaos that follows, a small gang from Coney Island - the Warriors - are blamed. Now everyone is out to get them. On foot, in enemy territory, can they make it through the night to get back across the city to the safety of home turf? For all you boppers out there we present the iconic cult classic in a remastered original theatrical release. Can you dig it?

    FRIDAY, AUGUST 14 --- 7:30pm

    SATURDAY, AUGUST 15 --- 8pm

    No ads - films begin at posted showtimes

THE RED SHOES

Michael Powell and Emeric Pressburger

  • 133 minutes
  • 1948
  • English
  • AUGUST 15 - 16

    THE RED SHOES, the singular fantasia from Michael Powell and Emeric Pressburger, is cinema’s quintessential backstage drama, as well as one of the most glorious Technicolor feasts ever concocted for the screen. Moira Shearer is a rising star ballerina torn between an idealistic composer and a ruthless impresario intent on perfection. Featuring outstanding performances, blazingly beautiful cinematography, Oscar-winning sets and music, and an unforgettable, hallucinatory central dance sequence, this beloved classic, dazzlingly restored, stands as an enthralling tribute to the life of the artist. Don’t miss this spellbinding classic on the screen.

    SATURDAY, AUGUST 15 --- 5pm

    SUNDAY, AUGUST 16 --- 2pm

    No ads - films begin at posted showtimes

PLANKTON WAT and VIK WHISTLE an evening of experimental live music and film

Tuesday, August 18

Steadfast in the pursuit of musical transcendence, Portland musician Dewey Mahood is one of the most versatile and prolific musicians in the modern psychedelic underground. As PLANKTON WAT (Thrill Jockey Records), he has explored the outer reaches of folk and synthesized drift since the mid-aughts, and his fluid compositions apply ethereal, elastic textures to grounded rhythmic grooves that recall the cosmic and the earthly in equal measure. For this show Mahood contours his melodic guitar playing into wholly transfiguring pieces to accompany classic experimental films from pioneering, seminal underground filmmaker MAYA DEREN.

Chico’s VIK WHISLE shares the evening with new experimental/psych music and video.

Tickets for this special event are $15 - walk up at the door, day of show (no advance tickets). Doors open 7:30 show 8pm.

SORCERER

William Friedkin

  • 90 minutes
  • 1977
  • English
  • AUGUST 21 - 22

    A hallucinatory journey into the heart of darkness, William Friedkin’s pulse-pounding reimagining of the suspense classic The Wages of Fear was dismissed upon its release, only to be recognized decades later as one of the New Hollywood’s boldest auteur statements. In a remote Latin American village, four desperate fugitives—a New Jersey gangster (Roy Scheider), a Mexican assassin (Francisco Rabal), an unscrupulous Parisian businessman (Bruno Cremer), and an Arab terrorist (Amidou)—take on a doomed mission: transporting two trucks full of highly explosive nitroglycerin through the treacherous jungle. Aided by Tangerine Dream’s otherworldly synth score, Friedkin turns each bump in the road into a tour de force of cold-sweat tension—conjuring a hauntingly nihilistic vision of a world ruled by chance and fate.

    FRIDAY, AUGUST 21 --- 7:30pm

    SATURDAY, AUGUST 22 --- 8pm

    No ads - films begin at posted showtimes

ANIMAL CRACKERS

Victor Heerman

  • 97 minutes
  • 1930
  • English
  • AUGUST 22 - 23

    The pre-Code Marx Brothers comedy ANIMAL CRACKERS is an outrageous satire of aristocratic, high society, an endless anarchic lampoon of the old Gilded Age ruling class. The well-known explorer and hunter Captain Spaulding has just returned from Africa, and is being welcomed home with a lavish party at the estate of influential society matron Mrs. Rittenhouse when a valuable painting goes missing. The intrepid Captain Spaulding attempts to solve the crime with the help of his silly secretary Horatio Jamison, while sparring with the anarchic Signor Emanuel Ravelli and his nutty sidekick The Professor. The film's anarchistic humor and surrealist elements forever influenced comedy filmmaking and earned praise from avant-garde critics such as Antonin Artaud and filmmakers like François Truffaut and Jim Jarmusch. Hooray, hooray, hooray!

    SATURDAY, AUGUST 22 --- 5:30pm

    SUNDAY, AUGUST 23 --- 2pm

    No ads - films begin at posted showtimes

SLEEPBOMB live score to FRANKENSTEIN (1931)

Thursday, August 27

SLEEPBOMB is a San Francisco-based cinematic post-metal/doom project focused on full, original scores for genre films. Ranging from heavy doom riffs to dreamy shoegaze, dark soundscapes punctuated with shimmering guitar and ethereal vocals, SLEEPBOMB has been exploring experimental sounds and forms informed by fellow travelers Godspeed You! Black Emperor, Sunn 0))), Ulver and Swans, among others. Settling on a drone influenced style of post/doom metal as the overarching theme while exploring other genres as appropriate for the film’s particular style, they bring their new live score to the groundbreaking 1931 horror film FRANKENSTEIN. The film's innovative special effects, atmospheric direction, and Boris Karloff's sympathetic portrayal of the Monster made it a critical and commercial success, influencing the horror genre and popular culture significantly. A singular live musical experience that re-contextualizes this classic film.

Tickets for this special event are $20 - walk up at the door, day of show (no advance tickets). Doors open 7:30 show 8pm.