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BADLANDS announced the arrival of a major talent: Terrence Malick. His impressionistic take on the notorious Charles Starkweather killing spree of the late 1950s uses a serial-killer narrative as a springboard for an oblique teenage romance, lovingly and idiosyncratically enacted by Martin Sheen and Sissy Spacek. The film introduced many of the elements that would earn Malick his passionate following: the enigmatic approach to narrative and character, the unusual use of voice-over, the juxtaposition of human violence with natural beauty, the poetic investigation of American dreams and nightmares. This debut has spawned countless imitations, but none have equaled its strange sublimity.
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Returning exhausted from the Crusades to find medieval Sweden gripped by the Plague, a knight (Max von Sydow) suddenly comes face-to-face with the hooded figure of Death, and challenges him to a game of chess. As the fateful game progresses, and the knight and his squire encounter a gallery of outcasts from a society in despair, Ingmar Bergman mounts a profound inquiry into the nature of faith and the torment of mortality. One of the most influential films of all time, THE SEVENTH SEAL is a stunning allegory of man’s search for meaning and a work of stark visual poetry.
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Reggae superstar Jimmy Cliff is Ivan, a rural Jamaican musician who journeys to the city of Kingston in search of fame and fortune. Pushed to desperate circumstances by shady record producers and corrupt cops, he finally achieves notoriety—as a murderous outlaw folk hero. Necessity is the mother of invention, and music is one of necessity’s prime agents. Boasting some of the greatest music ever produced in Jamaica, THE HARDER THEY COME still hasn’t lost a drop of its cool, its edge, and is still electric with the feeling of discovery.
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