Friday September 22
• 7pm
Saturday September 23
• 4:15pm
Sunday September 24
• 2:15pm

PLEASE NOTE: NO ADS - FILMS BEGIN AT POSTED SHOWTIMES

Hailed around the world as one of the greatest movies ever made, the Academy Award–winning BICYCLE THIEVES, directed by Vittorio De Sica, defined an era in cinema. In poverty-stricken postwar Rome, a man is on his first day of a new job that offers hope of salvation for his desperate family when his bicycle, which he needs for work, is stolen. With his young son in tow, he sets off to track down the thief. Simple in construction and profoundly rich in human insight, Bicycle Thieves embodies the greatest strengths of the Italian neorealist movement: emotional clarity, social rectitude, and brutal honesty.

PLEASE NOTE: NO ADS - FILMS BEGIN AT POSTED SHOWTIMES

Friday September 22
• 4:45pm
Saturday September 23
• 6:45pm
Sunday September 24
• 4:45pm

PLEASE NOTE: NO ADS - FILMS BEGIN AT POSTED SHOWTIMES

GREASER’S PALACE finds legendary underground filmmaker Robert Downey, Sr. at his most trippy, pastoral, and introspective -- all qualities that blend with his anarchic style to produce a most lionhearted work. Armed with his trademark platoon of offbeat character actors and willing amateurs mixed together in a lunatic stew, Downey weaves a New Testament allegory across the stitches of an absurdist Western parody. Set in a sleepy frontier town visited by zoot-suited drifter Jesse, a miracle-working song-and-dance man whose routine rouses the ire of town boss/saloon owner Seaweedhead Greaser, GREASER’S PALACE continues to shock and delight with its deranged inventiveness and fearless subversion of audience norms.

Saturday September 23
• 9pm
Sunday September 24
• 7pm

PLEASE NOTE: NO ADS - FILMS BEGIN AT POSTED SHOWTIMES

With SCANNERS, David Cronenberg plunges us into one of his most terrifying and thrilling sci-fi worlds. After a man with extraordinary—and frighteningly destructive—telepathic abilities is nabbed by agents from a mysterious rogue corporation, he discovers he is far from the only possessor of such strange powers, and that some of the other “scanners” have their minds set on world domination, while others are trying to stop them. A trademark Cronenberg combination of the visceral and the cerebral, this phenomenally gruesome and provocative film about the expanses and limits of the human mind was the Canadian director’s breakout hit in the United States.