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How to describe Nobuhiko Obayashi’s indescribable 1977 movie HOUSE (Hausu)? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Mario Bava? Any of the above will do for this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt’s creaky country home and comes face-to-face with evil spirits, a demonic house cat, a bloodthirsty piano, and other ghoulish visions, all realized by Obayashi via mattes, animation, and collage effects. Equally absurd and nightmarish, HOUSE might have been beamed to Earth from some other planet. into sumptuous movie fantasy, this searing human drama offers a powerful vision of personal liberation embedded within broader political struggle. Don't miss this one on the Pageant screen!

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One-of-a-kind filmmaker-philosopher Terrence Malick has created some of the most visually arresting films of the last century, and his glorious period tragedy DAYS OF HEAVEN, featuring Oscar-winning cinematography by Nestor Almendros, stands out among them. In the mid-1910s, a Chicago steelworker (Richard Gere) accidentally kills his supervisor, and flees with his girlfriend (Brooke Adams) and his little sister (Linda Manz) to the Texas panhandle, where they find work harvesting wheat in the fields of a stoic farmer (Sam Shepard). A love triangle, a swarm of locusts, a hellish fire—Malick captures it all with dreamlike authenticity, creating a timeless American idyll that is also a gritty evocation of turn-of-the-century labor. One of the great cinematic achievements of the 1970's
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